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Penitent Brothellers: Grace, Sexuality, and Genre in Thomas Middleton's City Comedies
Público DepositedMLA citation style (9th ed.)
Associated University Presses. 2000. huntington.hykucommons.org/concern/generic_works/8838e739-ed89-447c-9de2-38c65a2e2f49?locale=pt-BR. Penitent Brothellers: Grace, Sexuality, and Genre In Thomas Middleton's City Comedies.APA citation style (7th ed.)
(2000). Penitent Brothellers: Grace, Sexuality, and Genre in Thomas Middleton's City Comedies. https://huntington.hykucommons.org/concern/generic_works/8838e739-ed89-447c-9de2-38c65a2e2f49?locale=pt-BRChicago citation style (CMOS 17, author-date)
Penitent Brothellers: Grace, Sexuality, and Genre In Thomas Middleton's City Comedies. Associated University Presses. 2000. https://huntington.hykucommons.org/concern/generic_works/8838e739-ed89-447c-9de2-38c65a2e2f49?locale=pt-BR.Note: These citations are programmatically generated and may be incomplete.
Panitent Brothellers focuses on the recurring incidents of repentance and conversion in Thomas Middleton's major comedies. Panitent Brothel's conversion in a Mad World, My Masters and Sir Walter Whorehound's repentance in A Chaste Maid in Cheapside are familiar examples of behavior that, while having precedents with St. Augustine and St. Paul, had been newly described by Luther and Calvin.
This study emphasizes close readings of Middleton's city comedies to reveal the importance of repentance and conversion in his theology.
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